In her visceral, vexing, often grotesque paintings, New York–based artist Gina Beavers (American, b. 1974) transforms images sourced from the Internet into painted reliefs composed from thick layers of acrylic medium. Born from the online world yet stubbornly physical, Beavers’s paintings condense the ether of digital images into bodily objects that convey both sensuality and abjection. Confronting questions of consumption, desire, and self-fashioning, she gravitates toward a repertoire of recurring subjects that reflect everyday life in the age of social media, such as “food porn,” bodybuilder selfies, and makeup tutorials. Rendered with an unsettling degree of realism, Beavers’s work is always more than merely representational. Whether depicting a painter’s palette or the fluorescent green of a bulbous tennis ball, her high-relief paintings protrude obscenely into the space of the viewer, insisting on their status as tactile things. In her more recent work, the artist both parodies and venerates iconic figures from the history of art, from Vincent van Gogh to Piet Mondrian, pointing to a deep engagement both with painting’s legacies and its continued relevance as a critical lens on contemporary culture.
Gina Beavers lives and works in New York City. Her work was featured in Greater New York at MoMA PS1 in 2015, and she has participated in group exhibitions at institutions including Kentucky Museum of Contemporary Art, Louisville; Nassau County Museum of Art, New York; Flag Art Foundation, New York; William Benton Museum of Art, Connecticut; and Abrons Art Center, New York. Her work has been presented in solo exhibitions at galleries including Michael Benevento, Los Angeles; GNYP Gallery, Berlin; Carl Kostyal, London; James Fuentes, New York; Gavin Brown's Enterprise, New York; Cheim and Read, New York; and Canada Gallery, New York, among others.